Tuesday, March 29, 2016

Finally Have Pictures!


Today, I had the chance of finally shooting pictures of my friends. First of all, I asked them to bring vibrant, more "hip" clothing, and I ended up doing their makeup as well as their hair to suit what I desired in my head. The following pictures below are just sneak peeks of the actual shoot: those were taken by my friend on her iPhone as I progressed to shoot throughout the night, but it includes pictures of me acting out my role as the photographer as well as some examples of what was included in the original batch of pictures on the camera.

For the camera, I ended up borrowing my friend's, and as I shot, I realized that I cannot limit myself only to portraits with this project. I was unable to capture the full essence or entirety of the scene in some cases, and with other cases, it was more fit to have more than just the face or neck-up of my models.


Sneak Peeks








Behind the Scenes










Models:

Arusy Lemus
Juliana Narvaez 

Saturday, March 26, 2016

Main Cover Idea

The cover, as I forgot to mention in the previous past, is the second main component of this project, too. Since I am no artist, I need the remaining of the two weeks to ask a friend or acquaintance for the favor of creating an artistic, solo piece for my cover image. I already know for a fact that I want the image to be a portrait of a young girl, with artistic elements mingled, vibrant colors, and the added touch of the individual artist's unique style.




Those are basic examples of what I want my cover photo to look like; artistic, colorful, and the subject of a young girl.
You might be asking: why a young girl? Since the main theme for my images are portraits of younger people, I thought it best to represent the cover with the face of a girl, since to me, the female face is very articulate, delicate, and more artistic. the curve of the nose, the lips, and the eyes: for my magazine, this is perfectly suitable.

References

Rykova, Olga. "Modern Abstract Art 2013 2014 2015." Modern Abstract Art for Sale. N.p., n.d. Web. 26 Mar. 2016. <http://finemodernart.com/2014-art>.

Tsung, Mandy. "✿⊱╮Mandy Tsung." Pinterest. N.p., n.d. Web. 26 Mar. 2016. <https://www.pinterest.com/elfellia/mandy-tsung/>.


Friday, March 25, 2016

Planning Photography

I've recently been planning out how to start the final product, and I realized that the pictures that need to be taken and put into the magazine are the main components. First of all, the writing included within the magazine will be inspired by the photographs and will chronicle the events or relate to the events of the picture in someway. Therefore, to get started, I need to gather the images since that is the base and beginning point for everything else I aim to do.

Thus, to begin this process, I've decided to focus more on the photography aspect of this project until I get a good grasp on it. I've begun researching different techniques and looking at different examples of what I would like to see with my own pictures.

I am particularly interested with the Location Portraits found here since except on a less professional ground, this is what I envision my pictures to be like. I want them to be centered mostly around a specific place: forest, beach, or city.

I've also stumbled upon articles that give tips on how to accomplish portrait photography at its finest, such as this one and this one.

Now, you might be wondering, what is my idea exactly for the portraits? I have a few friends in mind that I want to take with me and go explore places like parks, sidewalks, or streets. Since I'm more comfortable photographing people I know, I would rather be around close friends whom I can easily tell to move around and sit in specific poses.

I do not own a digital camera; however, I will try my best to borrow one to capture the essence of the photos more vividly. If I am unable to find a digital camera, then I'm going to have to use my phone digital camera, which is not too disappointing, and editing always helps improve the quality.

Further down are more examples of what I envision or what I am inspired by to incorporate into my images.







References

Bbking100. "Whistler | Portrait Photos." Portraits 2.0. N.p., 25 Dec. 2013. Web. 25 Mar. 2016. <http://www.portrait-photos.org/photo/39289.html>.

Laurent, Olivier. "See 22 of This Year's Best Portraits." Time. Time, 29 Oct. 2014. Web. 25 Mar. 2016. <http://time.com/3812650/best-portrait-photography/>.

"Location Photography Miami | Los Angeles | New York." Portrait Photographers Miami L Celebrity Portrait Photography Florida. N.p., n.d. Web. 25 Mar. 2016. <http://briansmith.com/location-photography/>.

Mojayskaya, Julia. "In the Bog | Portrait Photos." Portraits 2.0. N.p., 21 Oct. 2013. Web. 25 Mar. 2016. <http://www.portrait-photos.org/photo/36581.html>.

Noritsyn, Pavel. "Girl Standing against the Wall | Portrait Photos." Portraits 2.0. N.p., 21 June 2013. Web. 25 Mar. 2016. <http://www.portrait-photos.org/photo/36503.html>.

"101 Portrait Photography Tips." Improve Photography. N.p., 03 Aug. 2011. Web. 25 Mar. 2016. <http://improvephotography.com/1305/101-portrait-photography-tips-to-improve-your-photography/>.

Колбая, Александр. "Temptress | Portrait Photos." Portraits 2.0. N.p., 21 June 2013. Web. 25 Mar. 2016. <http://www.portrait-photos.org/photo/36688.html>.

Wednesday, March 23, 2016

Return from Break

Hello everyone!
It's been a while, hasn't it?
Well, during spring break, I traveled to New York City for the first time ever. In my mind, I wanted to photograph regular people on daily events; however, due to the hasty city movements, I was not able to capture moments, nor could I fully dedicate time towards photographing because of my packed schedule, as well as the intense cold that nearly froze off my fingers. In the end, I was unfortunately unable to capture natural, realistic moments, but I was able to take a couple of pictures of my sister, just for experimenting.



Those pictures, as seen, were all posed and not photographed in a way that brings a naturalist outlook; however, ultimately, I found it much easier to have the freedom and ability to direct my sister into taking the stance I deemed best for the picture or looking at the camera in a certain way. That cold night on the Brooklyn Bridge, where my fingers grew numb with the menacing cold, were worth the trouble and effort since I was able to capture those two images. Moreover, they made me realize that I would rather photograph with posers, since it is easier to get an essence of the spirit or meaning I have in mind for the image.  

Saturday, March 19, 2016

Writing Samples


For my own writing, I am including three of my pieces that I think mostly relate to the theme I am trying to explore. This does not mean that my writing pieces will follow the same format, length, style, or genre; I am merely putting up some of my pieces that I think I can get a jump start from and use to guide me on how far I am from achieving what I want to incorporate in my magazine. 


there's the dust on the bedsheets

there are houses nearby
that echo stories, long lost by the lamppost
on 22nd street.
I brushed my hand along the ruins
of this house
and found the dirt bristling among many.

you ask me, why do I haunt this house? 
why do I take interest
in a long forgotten memory
where children roared 
and fires cracked beneath the bedsheets
and where she came running
outside her house
and knocking on mine one night
late after 3 a.m. 

the fires surged the walls 
and emptied any color painted 
with patterns and lines, with intricacy and hopes
that the paint would never chip away.

yet I remember how she sat on the steps by her front door,
smoking cigarettes that infiltrated her lungs
and accumulated there, leaving nothing but soot and ash
soot and ash. 

"want light?" 
I asked one day, 
as she sat on her door step,
and her eyes widened like a wild animal's
awakened from an eternal sleep,
as if the man she called her husband
were the bear who engorged all
when disturbed from his sleep. 

and as it ended,
the fires left the bear inside the house,
engulfed by raging fires he himself started.
it ate away at the bedsheets and mirrors alike,
yet as she knocked on my door late after 3 a.m.,
I could see in her eyes that it was the scorched, burnt paintings
she mourned for,
the only remnant of any talent she had
before the bear had taken command, and stolen any 
wist of dreams she had. 

she's sitting on my bedpost,
covered in sheets and covers to wipe away the soot
that stung to her skin.
she's sitting on my bedpost,
staring at my clean, pristine floors
while her children pull at her dress,
demanding answers
to soothe the aching pain of
"where is daddy?" 

that woman,
she's long gone,
but her pain still haunts me,
and I still linger by that house,
demanding answers 
of how our youth wastes away
beneath burnt bedsheets. 


The City Lights


I walked on a sidewalk one night, and I saw the jagged lines zig zag through the pavement, disturbing the flow of the city stones. The city was alit with the torchlights hovering like fireballs in the air, illuminating by-passers hurrying through those winding streets. There were cars everywhere; the stench of gasoline alive and the honking of car horns audible over the sound of my own breathing. Despite the crowds of people and the buzz in which they moved, I felt entranced within the scenery, as if I were enveloped by the aura of the energy vibrating around me, inhaling the cigarette smoke and the evaporated sweat hanging. I stepped each foot with a graceful swirl, as if I were a dancer performing a show, as if my art were displayed with every inch of my movements. Time, for once, did not exist. It was just the city and me, the lamp lights and me, the concrete stones and me. The cars were still hurrying past, yet there was one that caught my eye as I stood bedazzled. The car did not hurry; it silently grazed past the chaos, as if, like me, it was aware of the city around us. It kept moving and slowly came to a stop by the side. Out rushed a man who slammed the door and glanced around, to make sure that no one noticed his hesitancy, his paranoia. He then peeked through the windows and nodded, taking one last stride with his eyes. He was doing it rather poorly, I thought, since his eyes did not meet mine; his eyes were not aware of my presence. He began heading away, and after plugging my earphones deeper, I followed. 


Chestnut


That boy, you heard them say he's such a gem. Every time you saw him, a streak of his chestnut hair had covered his forehead, and a part of you longed to know him and stroke the hair out of his forehead so you could see what type of gem he hid, to assure that it was worth the rumors.

Truth is, you couldn't bear the rumors. Not the gem, nor the one when they all said your daddy had crawled into mama's bed one night and pushed her legs apart so hard that she woke up bruised the next morning. They kept saying that if he was still allowed to do those things, one day your mama wouldn't wake up at all.

You hated the rumors because you knew they were right. They were right, yet they were wrong, because all your daddy had done was seat you next to him in church so you'd both laugh at the way he mimicked the priest's words. His attention was always guided elsewhere, yet during church, he seemed so intent on making a fool out of the priest, on making the point that he did not believe the lies he was spoon-fed as a child, that he made a fool out of himself.

It was all a nice morning when you saw the boy with chestnut hair again. The sun was shining at your back and you had allowed yourself to bathe alongside the air and the plants and pretended you lived within nature. But then the chestnut hair had blocked your view, and you saw that the boy had chestnut eyes, too. His eyes were gleaming and fearful, like someone had hurled a snowstorm on them, and he was saying something you couldn't hear. Suddenly, you couldn't hair anything, because a gunshot had fired and the ringing of it was still in your ears, colliding with the ringing of your heart stabbing at your chest bones. You didn't know what to do, because you knew where it was coming from, and you found your hands suddenly intertwined within those of the chestnut hair boy. You were surprised at his strength, because he was able to drag you with him, but in reality your body had just grown limp.

There was an urgency within his footsteps, like he wanted to lead you away somewhere safe, and he kept repeating that it was all going to be alright. He repeated it so much that it began to sound like he was saying it just to soothe the aching dull of his body, and you yanked away your hand from his, because everything they had told you was a lie, even him. You grabbed his face and slapped the chestnut hair away from his forehead, and you found nothing. There was no gem in this boy, just a frail small body with bones and hollow cheeks. They lied to you, he lied to you, and you wanted to see daddy again, to marvel at how white he kept his teeth when he smiled at you in church.

You ran to your mama's bed and found the blood soaking through the sheets and to the mattress; there was a stench, a body, and there was your mama standing against the wall, gun in her hand. You looked in her eyes and saw that they were chestnut, too, and you suddenly understood the chestnut boy, that he was no gem. He was no gem because he was a bastard boy, and yet they called him one even though they all knew he was worth nothing. 

Those chestnut eyes of your mama bore into yours and you screamed at her to stop, to not leave you, because she'd already taken away your daddy from you, and all that was left was here: his body and a pool of blood. The boy was there again, holding your arms, yet you quivered against him because his touch was poison, and you fought so hard. His touch worked on you, because you were so frail and weak, even weaker than him. You weren't able to run to your mama and point the gun away from her own heart, but to yours. The boy knew what'd you do and so he held you tight, while your mama just kept staring at you with the gun at her chest. You were so helpless, so desperate, yet the sound of the echoing gunshot next managed to null your body and steal all the chestnut from the boy's hair. 

Thursday, March 17, 2016

Inspiration

Lately, I've been brainstorming ideas about how to give my magazine a certain theme or purpose, or how to make it more specific. Most successful literary magazines usually add in a theme that heightens the sense of purpose within each edition (example: culture) while others are focused around genres (like a literary science fiction magazine.) 

Some magazines publish only certain works, like solely poetry or solely short story. The Bitter Oleander, for example, publishes works of poetry "whose imaginations open [their] eyes to a world [they] thought [they] knew but were mistaken. A world our habits, our education and our beliefs blind us from everyday." 

I have also noticed a pattern: there is a different featured poet in every volume published. Also, each volume has a specific theme that is a branch of the overarching purpose stated above. Volume 16 No.2 is centered around the international community's mindset of poets, featuring the poet Ana Minga. Volume 13 No.2 centers around city poetry with the featured poet Rob Cook. Their newest edition, Volume 21 No.2, features the NYC poet Stephanie Dickinson, with a new perspective on how living in one of the most renowned cities in the world is. Mostly each volume also includes translations of other foreign works, diversifying the magazine immensely. 

AGNI is another literary magazine with seventy five issues over five decades and is considered to be "one of the strongest voices of one of the most active writing communities in America." It centers on emerging writers and on developing audiences for contemporary literature. 


In contrast, Black Denim Lit is a literary magazine that only publishes works of science fiction and fantasy. Moreover, they are more focused on electronic books and publications rather than print, which is something that I'm not targeting for. However, it was beneficial for me to see how each different literary magazine seeks to diversify and stand out amongst the others. 

References: 

"AGNI Online." AGNI Online. N.p., n.d. Web. 16 Mar. 2016. <http://www.bu.edu/agni/index.html>.

"Black Denim Lit." This Month, 150-pg Issue, Free for EReaders. N.p., n.d. Web. 16 Mar. 2016. <http://www.bdlit.com/>.

"Book Publisher | Poetry & Short Fiction Publisher | Bitter Oleander Press." Book Publisher, Poetry & Short Fiction Publisher. N.p., n.d. Web. 16 Mar. 2016. <http://www.bitteroleander.com/>.



Wednesday, March 16, 2016

I Got Indesign!

I downloaded my 30 day free trial today, and I'm so excited to be exploring more of this program!



Just look at how nice that looks! What's more, there's a whole "Getting Started" section that has plenty of tutorials to help me get a head start with the usage of this. 






Asides from watching start tutorials, I've begun to experiment with the software, like how to design a very basic document, as seen here: 


Even though I was baffled at first at my inexperience, I am willing to progress through tutorials as well a trial and error. Bring it on, Adobe!